The Private Investi-Gator.
by Will Nunes
A series of side-by-side examples show how Guy Delisle moved from sketchbook to the comic panel.
From Guy Delisle’s new book, Jerusalem.
(via lonelyistheroom)
Tom Hart drops a preview of his new Retrofit book DADDY LIGHTNING (April)
Ryan Pequin (as sourced in this comic, woops!)
(Source: threewordphrase, via valbabyvalcake)
"More essential than anything else is developing and maintaining true discipline. “Draw comics every day” is a nice gesture, but it won’t cut it. After drawing comics full-time while working my job full-time for 9 years, I finally had a brief window to take a chance on full-time cartooning, but the only way I can stay afloat is working about 9 hours a day, 6 days a week, 50 weeks a year. And it’s essential to factor in several hours a day doing email/communications/media/promotion/pitch stuff on the computer. It’s a rough ride, but then again, you do get to listen to music and draw all day. It’s just that it’s ALL day."
—
Nate Powell, when asked “If you could give one piece of advice to someone who wants to pursue drawing as a career what would it be?”
Full interview HERE
